The contemporary literature book club

Join our book club to discuss the most recent literary works in the English language!

Winter term 2025/2026

Check out the programme for the upcoming Summer term!

If you’d like to be up-to-date with the latest news from the Contemporary Literature Book Club, please feel free to email sophia.philomena.wolf@ anglistik.uni-freiburg.de or eva.voncontzen@anglistik.uni-freiburg.de.

Only time for some sessions, or just interested in a few books? No worries! You’re welcome to come to any session of your choice without registering.

16 October – Michelle de Kretser, Theory & Practice (2024)

It’s 1986, and “beautiful, radical ideas” are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a “deconstructed relationship.” They become lovers, and the narrator’s feminism comes up against her jealousy. Meanwhile, an entry in Woolf’s diary upends what the narrator knows about her literary idol, and throws her own work into disarray. What happens when our desires run contrary to our beliefs? What should we do when the failings of revered figures come to light? Who is shamed when the truth is told? Michelle de Kretser’s new novel offers a spellbinding meditation on the moral complexities that arise in the gap between our values and our lives.

20 November – Torrey Peters, Stag Dance (2025)

In this collection of one novel and three stories, Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

18 December – Ferdia Lennon, Glorious Exploits (2024)

On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea. After all, you can hate the people but love their art. But as opening night approaches, what started as a lark quickly sets in motion a series of extraordinary events, and our wayward heroes begin to realize that staging a play can be as dangerous as fighting a war, with all sorts of risks to life, limb, and friendship. Told in a contemporary Irish voice and as riotously funny as it is deeply moving, Glorious Exploits is an unforgettable ode to the power of art in a time of war, brotherhood in a time of enmity, and human will throughout the ages.

22 January – Xiaolu Guo, Call me Ishmaelle (2025)

1843. Ishmaelle is born in a small village on the stormy Kent coast where she grows up swimming with dolphins. After her parents and infant sister die, her brother, Joseph, leaves to find work as a sailor. Abandoned and desperate for a life at sea, Ishmaelle disguises herself as a cabin boy and travels to New York. As the American Civil War breaks out in 1861, Ishmaelle boards the Nimrod, a whaling ship led by the obsessive Captain Seneca, a Black free man of heroic stature who is haunted by a tragic past. Here, she finds protectors in Polynesian harpooner, Kauri, and Taoist monk, Muzi, whose readings of the I-Ching guide their quest. Through the bloody male violence of whaling, and the unveiling of her feminine identity, Ishmaelle realises there is a mysterious bond between herself and the mythical white whale, Moby Dick. Xiaolu Guo has crafted a dramatically different, feminist narrative that stands alongside the original while offering a powerful exploration of nature, gender and human purpose. Perfect for fans Madeline Miller, Percival Everett and Barbara Kingsolver.


*Note: All summaries are taken from the respective blurbs. Copyright belongs to the respective authors.

WHAT WE READ BEFORE...

Summer term 25

  • Miranda July, All Fours (2024)
  • Sally Rooney, Intermezzo (2024)
  • Samantha Harvey, Orbital (2023)
  • Natasha Brown, Universality (2025)

Winter term 24/25

  • Rachel Cusk, Parade (2024)
  • Percival Everett, James (2024)
  • Ali Smith, Gliff (2024)
  • Maggie Millner, Couplets (2023)

Summer term 24

  • Selby Lynn Schwartz, After Sappho (2022)
  • Warsan Shire, Bless the Daughter Raised by the Voice in Her Head (2022)
  • Rebecca F. Kuang, Yellowface (2023)
  • Henry Hoke, Open Throat (2023)

Winter term 23/24

  • Eleanor Catton, Birnam Wood (2023)
  • Alexa Weik von Mossner, Fragile (2023)
  • Lindsey Drager, The Archive of Alternate Endings (2019)
  • Jenny Offill, Weather (2020)
  • Jean Beagin, Bis Swiss (2023)

 

Summer term 23

  • Louise Kennedy, Trespasses (2022)
  • Herman Diaz, Trust (2022)
  • Clare Pollard, Delphi (2022)
  • Maggie O’Farrell, The Marriage Portrait (2022)

Winter term 22/23

  • Ottessa Moshfegh, Lapvona (2022)
  • Rachel Yoder, Nightbitch (2021)
  • Zadie Smith, The Wife of Willesden (2021)
  • Kamila Shamsie, Best of Friends (2022)

Upcoming Book club

More information will follow at the beginning of the new term. Please feel free to reach us via email if you have any book recommendations!

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